{"id":4055,"date":"2025-02-03T12:06:22","date_gmt":"2025-02-03T10:06:22","guid":{"rendered":"https:\/\/archimandritis.fr\/cultural-actions\/"},"modified":"2025-02-28T10:33:43","modified_gmt":"2025-02-28T08:33:43","slug":"cultural-actions","status":"publish","type":"page","link":"https:\/\/archimandritis.fr\/en\/cultural-actions\/","title":{"rendered":"CULTURAL ACTIONS"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"4055\" class=\"elementor elementor-4055 elementor-3347\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4000342 sc_layouts_row sc_layouts_row_type_compact elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4000342\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cdc4d92 sc_layouts_column_icons_position_left\" data-id=\"cdc4d92\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f60b407 elementor-widget elementor-widget-text-editor\" data-id=\"f60b407\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Yorgos Archimandritis signs the conception, organization, presentation and coordination of numerous public debates, round table discussions, lectures, festivals, award ceremonies and other cultural actions of international scope. Among others, the anniversary events for the revival of the Olympic Games or for the bicentennial of the Greek War of Independence at the Sorbonne University in Paris, the tributes to Mikis Theodorakis, Theo Angelopoulos and Melina Mercouri as well as the public conversations with Michel Houellebecq, Bernard-Henri L\u00e9vy, Pascal Bruckner, Yasmina Reza, Romain Gavras, Enki Bilal and Adonis in Athens (<a href=\"https:\/\/www.ifg.gr\/\" target=\"_blank\" rel=\"noopener\">French Institute of Greece<\/a>, <a href=\"https:\/\/www.onassis.org\/el\/onassis-stegi\" target=\"_blank\" rel=\"noopener\">Onassis Cultural Center<\/a>, <a href=\"https:\/\/cycladic.gr\/\" target=\"_blank\" rel=\"noopener\">Museum of Cycladic Art<\/a>).  <\/p>\n<p>Member of the Board of Directors of the Democracy and Culture Foundation, Yorgos Archimandritis regularly participates in the international conferences Art for Tomorrow and Athens Democracy Forum, held in collaboration with The New York Times (Doha, Athens, Florence, Milan, Venice).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5fcc720 elementor-widget elementor-widget-spacer\" data-id=\"5fcc720\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dbda24b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"dbda24b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-ea327e8 sc_layouts_column_icons_position_left\" data-id=\"ea327e8\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c5bb4df elementor-widget elementor-widget-video\" data-id=\"c5bb4df\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=Y4Gl0F8wpZM&amp;list=PLDqTXZIf4wF_RIKubdi3ksf4uNeQ2q8W2&amp;index=9&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-202116e elementor-widget elementor-widget-text-editor\" data-id=\"202116e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with artist Jeff Koons and the contemporary art collector Dakis Joannou, in the context of the <a href=\"https:\/\/www.democracyculturefoundation.org\/\" target=\"_blank\" rel=\"noopener\">Democracy and Culture Foundation\u2019<\/a>s <a href=\"https:\/\/www.artfortomorrow.org\/\" target=\"_blank\" rel=\"noopener\">Art for Tomorrow<\/a> conference in collaboration with <a href=\"https:\/\/www.nytimes.com\/international\/\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> (Doha, 2016). <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-29b4adb sc_layouts_column_icons_position_left\" data-id=\"29b4adb\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6d49bbc elementor-widget elementor-widget-video\" data-id=\"6d49bbc\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=QuaRsvbVJ5A&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d3169d2 elementor-widget elementor-widget-text-editor\" data-id=\"d3169d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with filmmaker Amos Gitai, in the context of the <a href=\"https:\/\/www.democracyculturefoundation.org\/\" target=\"_blank\" rel=\"noopener\">Democracy and Culture Foundation<\/a>\u2019s <a href=\"https:\/\/www.artfortomorrow.org\/\" target=\"_blank\" rel=\"noopener\">Art for Tomorrow<\/a> conference in collaboration with <a href=\"https:\/\/www.nytimes.com\/international\/\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> (Venice, 2024).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-b344e4b sc_layouts_column_icons_position_left\" data-id=\"b344e4b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b5fb5a5 elementor-widget elementor-widget-video\" data-id=\"b5fb5a5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=hQ_veDAYy4U&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-55f51ea elementor-widget elementor-widget-text-editor\" data-id=\"55f51ea\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with architect Elisabeth de Portzamparc, in the context of the <a href=\"https:\/\/www.democracyculturefoundation.org\/\" target=\"_blank\" rel=\"noopener\">Democracy and Culture Foundation<\/a>\u2019s <a href=\"https:\/\/www.artfortomorrow.org\/\" target=\"_blank\" rel=\"noopener\">Art for Tomorrow<\/a> conference in collaboration with <a href=\"https:\/\/www.nytimes.com\/international\/\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> (Florence, 2023).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c787f14 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c787f14\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-d156194 sc_layouts_column_icons_position_left\" data-id=\"d156194\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-34bc784 elementor-widget elementor-widget-video\" data-id=\"34bc784\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=mdeUt2VVGIo&amp;list=PLDqTXZIf4wF-66X2SWaD06WGMkhnhlsHF&amp;index=6&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c9a47a5 elementor-widget elementor-widget-text-editor\" data-id=\"c9a47a5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with Pulitzer Prize-winning photojournalist Yannis Behrakis, in the context of the <a href=\"https:\/\/www.democracyculturefoundation.org\/\" target=\"_blank\" rel=\"noopener\">Democracy and Culture Foundation<\/a>\u2019s <a href=\"https:\/\/www.artfortomorrow.org\/\" target=\"_blank\" rel=\"noopener\">Art for Tomorrow<\/a> conference in collaboration with <a href=\"https:\/\/www.nytimes.com\/international\/\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> (Doha, 2017).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-148229d sc_layouts_column_icons_position_left\" data-id=\"148229d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-15f2439 elementor-widget elementor-widget-video\" data-id=\"15f2439\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=kR2kXEvmcQQ&amp;list=PLNKgb6skYnUQgab0trmCcBeEo6E9Zm1iW&amp;index=3&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-43ba768 elementor-widget elementor-widget-text-editor\" data-id=\"43ba768\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with Bruno Patino, President of <a href=\"https:\/\/www.arte.tv\/en\/\">ARTE<\/a> France, in the context of the <i>Night of Ideas<\/i> of the <a href=\"https:\/\/www.ifg.gr\/\" target=\"_blank\" rel=\"noopener\">French Institute of Greece<\/a> (Athens, 2021).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-4ee97a3 sc_layouts_column_icons_position_left\" data-id=\"4ee97a3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-41e9de9 elementor-widget elementor-widget-video\" data-id=\"41e9de9\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=92soLmm0JCQ&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3a09266 elementor-widget elementor-widget-text-editor\" data-id=\"3a09266\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Conversation with the writer Michel Houellebecq and the philosopher Bernard &#8211; Henri L\u00e9vy at the <a href=\"https:\/\/www.ifg.gr\/\" target=\"_blank\" rel=\"noopener\">French Institute of Greece<\/a> (Athens, 2010).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Yorgos Archimandritis signs the conception, organization, presentation and coordination of numerous public debates, round table discussions, lectures, festivals, award ceremonies&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4055","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/pages\/4055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/comments?post=4055"}],"version-history":[{"count":6,"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/pages\/4055\/revisions"}],"predecessor-version":[{"id":4521,"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/pages\/4055\/revisions\/4521"}],"wp:attachment":[{"href":"https:\/\/archimandritis.fr\/en\/wp-json\/wp\/v2\/media?parent=4055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}